Benjamin Storch’s work stems from a fascination with fluid, dynamic motion, whether witnessed in nature, human motion or computer-aided visualisations in the sciences. Plottings of the behaviour of pendulums, imagery of surfaces being drawn into ‘fields of attraction’, strange attractor point clouds and fluid dynamics are all a major influence on Benjamin’s sculptural work.
To achieve a dynamic quality in metal Benjamin spent years researching techniques to form sheet metal into surfaces of negative, anticlastic curvature. Achieving this in steel relies on a sensitive manual control of specialised machinery as well as traditional hammering techniques, which gives Benjamin’s work a unique tactile quality. While casting might be an option, the sheet metal process leaves a visible, tangible trace of the inherent tensile forces and thus reflects the intention behind the work. Some pieces more literally embody mathematical principles associated with topology, dynamical systems and surface curvature while others are the artists impressions of some of these systems.
Benjamin has an extensive client base and exhibition track record internationally. Recent projects include a number of commissions for hotels such as The Ritz Carlton in Hong Kong and the Shangri-la at The Shard in London. Alongside these he has been making work for exhibition at Sculpture by the Sea, the McClelland Sculpture Survey and Brenda May Gallery.
Copyright of all images remains the property of the artist.